I have a newfound love — painting to classical music. It all started when I painted a piece for an exhibit with the Evansville Philharmonic Orchestra. I listened to a piece by Russian composer Mussorgsky on repeat while I painted my piece for the exhibit. Now it seems I can’t get enough classical music to paint to.
Since I first began painting, I have mainly listened to new age, classical crossover, modern jazz, 80s, and whatever else I’m in the mood to listen to at the moment. I listened to traditional classical music while painting for one of the first times last week, and now I’m hooked. Now I’ve probably painted to traditional classic music a few times before now, but really didn’t intentionally focus on channeling the music’s energy until now. It’s like painting is this whole new experience that I am traveling through for the first time.
So now my new project is painting while listening to Jeremy Spindler’s musical pieces on repeat. At some point, I’ll see if there might be a way to share with you the pieces of his that inspire my paintings. The painting in this post, Embers, is a painting inspired by one of his pieces, a concerto for seven. There’s something about classical music that has a mesmerizing and meditative quality to it when I’m painting. It pulls me in as I become intertwined with it. It nearly becomes me, and then I become a part of the piece I’m painting. I’ve always enjoyed classical music, but it was never a first choice of mine. But it is quickly becoming my first choice to listen to during painting.
All of my pieces inspired by music will be a part of my collection, called simply “Music Series.” That’s at least a temporary title.
P.S. There’s just one week left to register for Relax + Paint. Registration ends on October 23rd. You can register at www.relax-paint.com. Geared for complete beginners, you’ll learn everything from how much water to add to your brush to how to define your focal point.