Hello…I am so excited to be offering abstract art instructional videos. I just uploaded my first one a couple days ago. Here is a short clip — a sampling of what you get with a full-length video. Not only do I paint with you, but I also give you abstract art tips along the way.
Teaching is enjoyable for me as I used to teach computer classes. I taught everything from Microsoft Office to Adobe Illustrator. Of course, that was in a previous life. 😉 So now I am venturing into teaching art.
I started offering one-on-one abstract art classes right before the pandemic hit, around February. Of course, in person teaching was a COVID-19 casualty for me, and for many others. Since then, I’ve been tossing around the idea of virtual art lessons, but decided to try it out just this last week.
One of the many reasons I paint is that it helps with my mental health. I find that painting serves as a form of meditation for me, which helps keep me feeling well. Painting is a wonderful wellness tool. If you are a painter, do you find painting to be healing? I sure do.
I love the above quote by Brene Brown. This is how I feel about the painting process. When I go for one or more days without spending time in my studio, I feel as though my “flow” has been interrupted. In painting, and in life, I believe that showing up is half the battle. I try to paint daily, but if for some reason I can’t paint, I try to organize and clean my studio instead. Just spending time in my studio is so important.
Having the courage to show up is the biggest, but most important hurdle. Sometimes I might not be in the mood to paint, but if I show up and spend some time in my studio, many times looking at other paintings I’ve finished will inspire me to paint. Sometimes it’s just a matter of taking a painting I’m not totally happy with, and painting over it.
Some of my best ideas come out of simply spending time in the studio. Being in there with no pressure to “produce” allows me to relax and let my mind wander. I have a nice and comfortable couch that I got from a friend, and I love sitting there while looking through reference photos and reading art magazines or books. This is really just as important as the painting process itself. Allowing my brain to soak everything in helps me gear up for my next painting session.
Sometimes I don’t feel inspired to paint at all. When this happens, I don’t wait for inspiration, but rather just go in my studio and start painting. To me, the act of painting is just as important as the end result of a painting. Many times, this is when I pour my emotions onto the canvas. Sometimes when this happens, something beautiful surfaces, and other times, the outcome isn’t so pretty.
Another thing I’ve discovered is that if I’m not feeling inspired to paint, that’s a perfect time to paint a still life — where my subject is already decided, and I can focus on improving my technical painting skills rather than relying on my imagination to paint an abstract.
What about you? What are some ways you tackle being uninspired? Do you spend time in your studio sitting, reading, or doing things other than painting?
I have approximately 200 finished paintings in our home and my studio, and this number does not include the 200-300 I’ve painted over or sent to the trash because I wasn’t happy with them. Very rarely do I paint over a painting I don’t like anymore, and that’s because I’ve improved over time. I also plan to hang on to most of these paintings because many aren’t representative of my current work. But what does all of this really mean?
I was talking to a friend today who started painting a few years ago and she said that she wasn’t confident enough to put her art out there yet. I assured her that it would come in time and that in the beginning, for every 100 paintings I created, only about 5-10 were good. Maybe not even good, maybe more like just decent. I’ve been painting since 2009, but for the first seven years, I was painting very rarely because I was working and at home raising our daughter. I figure since 2009 I’ve averaged at least seven hours of painting time each week, and that number is underestimated I’m sure.
My point is that that equals over 3,500 hours and without all that practice and all of the failures, I wouldn’t be where I am today. For every failure, I have found yet one more way not to do something. I see failure as a measurement of effort; If I never fail, that means I am not experimenting and stretching myself to the limits. I truly believe you aren’t growing if you’re not failing at times, too.
I don’t like it when people ask me how long it took me to paint something, because really, the true answer is that it took me 3,500+ hours to create it! In art, all of your experience — all of the cumulative failures and successes — are what allow you to create what you create today.
Even though I’m a better painter now than 10 years ago, I do still produce bad paintings sometimes, and as weird as it may sound, I’m proud of them because it means I am pushing myself, as not every new technique I try is going to work out – as is the case with my “NOPE” painting above!
So practice as much as you can, fail beautifully, and revel in your eventual successes. If you fail enough, you will succeed!
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Looking for a unique and low cost way to display your acrylic paintings on watercolor paper? Recently, I’ve been working with acrylic on watercolor paper and needed a quick and easy way to get them ready to hang in a show. I love what I came up with; I think they look professional, especially for how little it dinged my pocketbook.
Both of these paintings are on 8 x 8 watercolor paper and I bought a four pack of 10 x 10 cradled unfinished wood panels. They were only $16.04 with my 40% off coupon at Michaels, which made them $4.01 each. I purchased wood that was two inches larger than my paper all around to give the illusion of a 1″ thick frame.
First I painted three coats of white gesso on the front and the sides of the wood, and I left the back unfinished. After the last coat was completely dry, I applied Liquitex Gel Medium with a foam brush to the front of the wood, then laid down the painting and tried to center it as much as possible. Then I pushed down all over the paper with my hands to make sure it was sticking in all places of the paper to the wood. If you have a brayer or a rolling pen, you could also use one of those. I pushed down on the paper for about three minutes.
I waited a few hours for the gel medium to dry enough so that I could wire the back. The cradled boards are perfect for two eye hooks and picture hanging wire. The last step was varnishing the painting. I took a soft cloth and added a small amount of Gamvar varnish to it and applied it lightly to the painting. It gave it a nice sheen.
I am so excited about this way of displaying my small paper paintings. If you try this, let me know how it goes and how you like the end result!
I am a visual artist living in Southwestern Indiana who publishes art related blog posts. Sign up to receive updates from my blog at the bottom of this page, and don’t forget to follow me on Facebook and Instagram under @loririvera.art.
I thought it would be fun to look back and see what my first post was on my Facebook art page. If you scroll through my photos, you’ll see that the first one was the left one above. To make sure I was comparing apples to apples (or as close as I could get), I took the one on the right that I created this year that is close to the size of the one from 2015, and is also abstract. I am happy with my progress and I can’t wait to see how much further I get by 2025!
Most importantly, though, is how I’ve arrived to where I am today. I am going to share what I think were the five most important things that got me from the 2015 painting to the 2020 painting above.
Create art daily. Even if it’s just for a half an hour, that is better than nothing. When you do this, you are exercising your creative and technical muscles in your brain — or at least — that’s what I believe. On days you absolutely cannot make it to your studio/creative space to create, spend some time in that space meditating, cleaning, organizing, reading art books, or whatever you can do to stimulate your brain.
Don’t compare your work to others’ work. Instead, compare your current work to your previous work. Every few months or every year, revisit some of your older work and see how far you’ve come. This is a difficult one, but it’s imperative, because when you compare yourself to other artists, it’s not fair to you or them. You might love their work, but they might have started their craft way before you. Not only that, I do think artists progress at different rates. Some artists pick things up faster than others, but there’s nothing wrong with that either. There’s no wrong way to make progress in art. It is an individualized journey and everyone’s path is unique!
Set SMART Goals. SMART stands for Specific, Measurable, Attainable, Realistic, and Time Oriented. For example, a SMART goal would NOT be “to paint more,” but instead “To create 100 paintings by the end of the year.” I only used 100 because that was one of my goals last year, and according to my records, I painted over 115 paintings last year. Are all of them big paintings? No. Are all of them good paintings. No. But did I paint some pieces that I am proud of. Yes! Not every painting will necessarily be your best. I am a firm believer in setting SMART goals because those are the only ones you can truly measure. More sample goals include:
Participate in three art festivals by the end of the year.
Create a website to showcase my work by the end of the month.
Attain gallery representation with at least one gallery by the end of the year.
Find at least one supporter of your work to give you honest feedback. Hopefully this person will be someone who can be honest about where you can improve, and what you are doing that is going well. For me, my family is my first filter, naturally I think because I talk to them daily. My husband will almost always have something positive to say about a work of mine, but also give me an honest critique and tell me what he thinks needs work.
Take a class. Don’t be afraid to take a class…any kind of class. It could be drawing, painting, ceramics, or anything else you want more help with. I do believe that any kind of formalized art training will help you along the way. I say this because I have taken classes with a few artists. Even if you are a professional artist, there are always things we can learn from each other. I really had to step outside of my comfort zone to take classes, as I had never really painted in front of anyone. At first it is really uncomfortable, but the more you do it, the easier it gets.
Now that I’ve shared my top five things that helped me get to where I am today, I’d love to hear from you. What has helped you in your craft?
If you are an artist, you have most likely experienced a creative block at one point or another and it is so frustrating! Or you may be working on a project that is not turning out the way you would like. In either case, I sat down today and came up with 10 things that help me when I am experiencing a block, and these may help you too. I’d love to hear from you if you try any of these, or if you have tried them already. Let me know if they work for you!
Try a new art supply – Simply purchasing a new art supply can change up your creative process enough to get your ideas flowing again. When I purchased my fine line applicators, I found creating fine lines added a little interest and broke the monotony of my process. I guess it is worth mentioning here, too, that as artists, we have the tendency to get bored, and that means we can even get bored with our supplies. Short on money and can’t buy any new supplies? Alternatively, you can look around the house to see what kind of texture makers you can find. A fork, comb, caps…all can create interesting textures in your work.
Change mediums – If you are an acrylic painter, for example, try oil or watercolor for a while, or even add a medium such as modeling paste to create texture in your work. Sometimes simply changing mediums will open new doors with your style and techniques, and sometimes we just need a change of pace. After working with a different medium for a bit, eventually go back to your primary medium and see if anything has changed. Do you feel refreshed? Do you have new ideas?
Change supports – One of my favorite things to try when things are not going as planned or if I am experiencing a block is to change the surface I am working with. I often change over to paper for a while after working on canvas for some time. Once again, it is a good change of pace. Not only that, doing the same thing on canvas and paper will often yield different results due to things like texture of the support. Any factor changed will often change your results, whether changing mediums as described above, or supports.
Try a new activity – Sometimes it is good to clear our minds from what we are used to, break away and try something else. If you are a painter, try pottery, and if you are a sculptor, try drawing, and so on. This allows you to see things, such as shapes and colors, in a new light. Have you ever tried making your own pottery, then painting your pottery on canvas as still life? Even if you are not a skilled potter, try abstracting what you see in your pottery and paint that. This is just one example. Once again, changing an element of what we are doing changes the rhythm of creative flow, and then when we return to our primary medium, new ground can be broken with fresh eyes.
Look at other art – I am deeply inspired by looking at other art. Seeing other color palettes, textures, and compositions, among other things, opens doors and paves new pathways for creativity. We can be inspired by other work without copying the work. In other words, all works of art are usually inspired by something else before they ever began. Art is not created out of thin air; there is usually always something that prompts the beginning of a new work of art.
Rework an old piece – Some of my favorite pieces end up being old pieces that I paint over. Let’s face it, we have some pieces we like more than others. Sometimes I take some of my least liked pieces and paint over them, allowing some of the underneath layers to peek through. That combined with the textures of the first few layers help build an interesting piece. When reworking an old piece, you are not starting from scratch, which changes up the whole creative process.
Change your surroundings – Painting in a different room, changing your music, painting outside instead of inside — all of these things can help you break out and overcome your creative block. I remember having a breakthrough when I painted at our table while the new roof on my studio was being added. It is amazing how changing the slightest thing can alter our brain activity and help us create. Below is a photo of my beloved Amazon Echo. Love that thing! I often find that changing the genre of music changes the way I paint.
Organize – If you are like me, your studio is often messy, and simply organizing your space can make you feel refreshed and ready to create again.
Scribble – Have you ever just scribbled with crayons, paints, markers, pencils, or another medium? Of course we have all done that as children. But have you really tried it as an adult? Just let loose and free your mind. Scribble for fifteen minutes then go back to your work. While scribbling is not likely to turn into a masterpiece, it can get your mind unblocked since you are working like a child instead of an adult. Children are highly creative so try being one again for a bit! Children aren’t afraid to create and they don’t judge themselves the way we do as adults. So just try being a kid again.
Take a break! – Give the creative side of your brain a break and cozy up in a hammock, make some hot cocoa and watch a movie with a warm blanket, or meditate. Rejuvenate, then return to your work later.
Hope these give you some ideas to try. As always, leave me a note if you liked this post, or if one of these help you get unblocked!